雅克·特纳在《恶魔之夜》中延续了他标志性的“暗示式恐怖”风格，拒绝直白的怪物展示，转而通过阴影、风声和角色神态的微妙变化，在理性与超自然之间搭建一座摇摇欲坠的桥。达纳·安德鲁斯饰演的理性心理学家，从傲慢到动摇的转变过程足够细腻，而尼尔·麦吉尼斯扮演的邪教首领，用冷静的谈吐和眼神里的疯狂形成诡异反差。尼尔·麦吉尼斯扮演的邪教领袖更是魅力十足，他念咒时低沉的韵律像在吟诗，反而比嘶吼更显险恶。这部电影尤其适合喜欢《无辜的人》《第七封印》这类哥特气质的老派恐怖迷——它不追求惊吓，而是让你在散场后仍会回头看看窗外是否有黑影掠过。导演雅克·特纳擅长将伦敦的浓雾与阴森的庄园拍成一张密不透风的网，就连恶魔的第一次现形都藏在半秒钟的闪回里——这种克制的吓人手法，比现在的CG怪物高明得多。达纳·安德鲁斯把那种“嘴上说不信、眼神却开始躲闪”的撕裂感演得很准，尤其是他躲在宾馆房间锁上门，看着门缝底下透进绿光时的喘息，你会跟着他一起汗毛倒竖。
American psychologist John Holden arrives in London to participate in a symposium aiming to expose witchcraft and devil-worship as a fraud, with attention centered on a cult run by a Julian Karswell. Debarking his plane, Holden learns that the symposium leader, Henry Harrington, has suddenly died and he is now in charge. What only the audience knows is that Harrington was clearly killed by a demon, apparently summoned by Karswell to avenge his persecution. Despite both threatening and cajoling behavior by Karswell, Holden determines to proceed, though the only cult member willing to talk about his experiences is in a prison psychiatric ward, catatonic after allegedly killing yet another cult member. However, Harrington's niece, Joanna, believes, based on her uncle's notes, that Karswell may indeed have some satanic powers derived from an ancient tome in an obscure language which he has been able to translate, and attempts to warn the skeptic Holden. Karswell's mother also attempts to warn Holden off. However, the thing which begins to most get to Holden are the occasional, but mounting, sensory and mental disturbances he begins experiencing after an encounter with Karswell, and the discovery that, during this encounter, Karswell secretly slipped a slip of parchment with a curse in runic symbols on it into Holden's belongings, a parchment identical to one Harrington recorded having had passed to him in a similar manner shortly before his death... [N.B. Holden at no point stays at the Karswell estate].相关搜索：
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