相比同时期意大利铅黄电影热衷的血腥渲染，《血蝶》更像一桩精心编排的谜案——导演杜奇奥·泰萨利把推理小说的层层剥茧塞进了恐怖片框架，大量对话和法庭戏取代了惯常的刺刀式惊悚，摄影机冷静地游走在米兰的雨夜和郊外别墅，用冷调光影代替血浆。剧情是一串蝴蝶标记的谋杀案，反转跟洋葱似的层层剥开，结尾那个真相愣是让我后背发凉。剧情直到第三幕才亮出真凶动机，而线索早已藏在开场的蝴蝶标本收藏柜里，需要观众自己拼贴。 适合能忍受缓慢压抑节奏、喜欢在细节里挖隐喻的观众。 适合喜欢老派悬疑的影迷，尤其是对《阴风阵阵》《夜深血红》这类风格入迷的人，或者想看看没有特效的年代如何用光影和表情制造心理压迫感的观众。推荐给偏爱叙事结构工整、注重细节伏笔、对70年代欧洲类型片有考据兴趣的影迷。
Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder. Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty. All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…相关搜索：
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