如果你看腻了单口喜剧里那种“站台上抖包袱、台下笑成一片”的标准模式，那这部《艾利克斯布斯汀：束身衣与小丑服》会给你完全不同的体验。布诺斯町的肢体语言尤其抢镜，绷紧束身带时绷出了讽刺，换上小丑服后又藏着柔软。她模仿贵妇试衣时手指捏紧拉链的细碎声响，转身又用夸张的假笑卡住高音气口，这种从肢体到台词的精确咬合，让每个梗都像从真实窘迫里长出来的。适合对结构喜剧有耐心、能欣赏社会讽刺混搭身体幽默的观众。
束身衣勒出的笨拙体态、小丑服口袋掏不完的杂物，这些道具不是装饰，是剧情的刹车片——主角每次试图正经演讲，总被突然卡住的拉链或滑落的假发打断节奏。
剧情其实很简单，就是一个过气女演员为了生计去儿童派对照顾熊孩子，结果闹出一堆她自认为高级、小孩根本不买账的即兴表演。
The special, which comes as Borstein and her co-stars embark on another crowded awards season, is being billed as the three-time Emmy winner’s “deeply personal and wildly fictitious account of one woman’s attempt to f*** with perception.”
Fittingly, it was filmed at The Wolford Theatre, the fictional burlesque club from Maisel‘s fourth season, and relied on the award-winning crafts team from the show.
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