与同时期依赖巨型怪物或夸张特效的恐怖片（如《金刚》）不同，《黑月》的惊悚感完全来自压抑的节奏和异域文化的神秘感。导演罗伊·威廉·尼尔善于用环境音、压抑的画外空间与角色精神状态的渐变，制造一种缓慢渗透的心理恐怖——而非依赖突然惊吓。杰克·霍尔特的表演尤其值得关注，他饰演的丈夫从理性怀疑到濒临崩溃的递进层次分明，尤其在与菲伊·雷的对手戏中，用细微的眼神躲闪与声调变化传递无力感。医生起初不以为意，直到妻子被神秘的鼓声和咒语吸引，行为越来越反常，仿佛被某种力量操控。
当她住进纽约豪门宅邸后，深夜的鼓声从地下室响起，仆人们接连暴毙，而她自己的眼神也一天比一天陌生。
菲伊·雷把女主角受诅咒后的分裂感演得极细——从温婉到阴鸷的过渡，全靠眼神和嘴角的微颤。
A young girl who lives on a tropical island loses her parents to a voodoo sacrifice, but although she manages to escape the island, a curse is put on her. Years later, as an adult, she feels a strong compulsion to return to the island to confront her past. Her husband, her daughter and her nanny go with her, but once back on the island, the woman finds herself elevated by the locals to the stature of a voodoo goddess, and she begins her inevitable descent into madness, with disastrous results for her family.
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