莎拉·赫林斯在本季中娴熟运用非线性叙事，在犯罪调查与嫌疑人回忆的闪回间建立复杂的互文性，常通过一个不起眼的微小物件作为全剧的叙事锚点。理查德·杜登的台词冷硬而不失幽默，极好地平衡了阿加莎式的阴郁。要是喜欢那种慢工出细活、细节满满的本格推理，或者单纯想看霍纳尔和丹尼尔飙戏的，这剧绝对值得挖！。剧情设定很像现在的罗生门，每个人都有事隐瞒，观众和主角一样在拼凑真相，每一次推理反转都让人不得不屏住呼吸。纳特尔斯饰演的梅布尔警探凭借标志性的咀嚼口香糖动作和犀利的眼神，将角色处理得既有职业化冷酷又暗藏悲悯底色。导演手法上，擅长利用单调、冰冷的对称构图来外化英伦郊区压抑的氛围，并通过光影细节的微妙切换来暗示人物内心深处的秘密。
When two bodies are discovered by the side of a fishing stream, Barnaby and Troy have yet more murders to solve. Isobel Hewitt had a zest for life that some can only hope for. She loves to drive her red Jaguar at top speed and generally enjoyed the finer things in life. Although loved by many, there were those who weren't quite so charmed by her. Margaret Seagrove was convinced that she was the member of the local fishing club using weighted lures in the local stream. Her nephew and his wife, with whom she resided, saw her as a burden now that she had spent most of her accumulated capital. The second victim is the local doctor, Duncan Goff, a well-known philanderer who had affairs with many of the local ladies. The police must first determine if both were intended victims or if one was simply in the wrong place at the wrong time.
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