彼得兰杰利这部处女作式作品延续了他标志性的冷峻与神经质美学，将三线叙事编织成一张在巴勒莫喧嚣与动荡中审视人性的精密罗网。 剧情虽然荒诞离奇，却又在极度的错位中击中现实的痛点。故事讲述性情迥异的两位密探互相猜忌又惺惺相惜，这种“戴着镣铐跳舞”的张力极富文学性。影片主打“看不见的博弈”，它不靠突然吓人的鬼怪，而是用一种近乎催眠的平静感，慢慢瓦解观众的心理防线。它摒弃了传统谍战的紧绷感，用一种如梦境般迷离且带点意识流的超现实风格，将卡斯特罗革命者的形象与极简主义的建筑美学完美融合。彼得兰杰利导演玩了一把高明的叙事结构，采用了半封闭的线性叙事，将过去与现在交织，把人性的挣扎和纠缠拍得丝丝入扣。
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Plot summary
Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints: she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love: his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…
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