推荐《陷阱1996》的观众，多半是厌倦了常规悬疑片那种“最后一分钟反转”的套路。演员方面，永濑正敏以近乎木讷的面部微表情传递疲惫的警觉，而山口智子仅靠三次出场中逐渐松弛的肩颈线条，就完成了女性角色从抵抗到妥协的心理弧光。 ☆。适合喜欢《幻之光》那种沉静悬疑感、不介意慢节奏和开放式结尾的观众，不适合只想看爽快破案或热闹反转的人。
每个章节重复又不尽相同的时间线，迫使观众主动拼凑因果，而俯拍镜头与硬朗的明暗切割，则把城市塑造成冰冷的迷宫。
永濑正敏用极少的台词撑起一个被命运压垮的灵魂，山口智子则把温柔与危险揉进眼神里。
"The third film in the series, The Trap, is an unusual beast. When the film opens our perpetually down-on-his-luck hero is actually on a bit of a roll. Business is booming, he’s got a new girlfriend, Akane has been accepted into college … he’s even upgrading his office equipment. Things couldn’t be better, right? Well, it wouldn’t be noir if things went well for Hama and the st...
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