如果你正在犹豫要不要看，我可以告诉你：这部电影把镜头对准了报社角落里一个专门回复读者来信的年轻记者，全片几乎都笼罩在灰蒙蒙的室内光线里，场景多是逼仄的办公室和简陋的公寓。整个片子拍得特别沉，镜头老怼着人脸上细微的抽搐，空气都是闷的。蒙哥马利·克利夫特演那个写情感专栏的记者，眼神里全是疲惫和心软，他念信的时候声音都在发抖，你能感觉到他真被那些陌生人的痛苦压垮了。蒙哥马利·克利夫特演的报社记者，每天拆一堆求助信，整个人被别人的痛苦压得喘不过气。他起初带着职业性的疏离，却渐渐被这些陌生人的痛苦拽入深渊，尤其是一位署名“惨兮兮”的女人的来信，让他无法置之不理。蒙哥马利·克利夫特用微微颤抖的手指和欲言又止的停顿，精准传递出主角被他人痛苦吞没的脆弱；罗伯特·瑞安则把那种伪善而世故的报业老板演得令人脊背发凉。
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her past adultery, and assigning his employees journalistic jobs for which they have little aptitude or interest. Shrike goads Adam into meeting one of his correspondents, Fay Doyle, a teary, self-pitying woman who makes a play for him. Adam is torn between his loyalty to the newspaper and his girl Justy.相关搜索：
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