如果你正在犹豫要不要看，我可以告诉你：这部1937年的喜剧是小津安二郎早期少有的家庭闹剧，节奏明快不拖沓。适合喜欢小津早期活泼风格、或者想看点昭和时代小资生活调剂心情的人——不费脑，看完嘴角会不自觉上扬。影片围绕一场因“忘记”引发的夫妻猜忌展开，叙事结构精巧地利用空间分隔（门框、走廊）制造心理距离，几场餐桌戏以正反打与静物空镜交替，将日常琐事转化为微妙的权力博弈。小津那时候已经爱用低角度拍人坐榻榻米，镜头安安静静的，但你看着就想笑。有场吃饭戏，两口子为了抢最后一块鱼，用筷子你戳我挡，谁也没说话，看得我差点儿拍大腿。剧情以“忘记”为支点撬动一连串误会，但小津从不放大冲突，反而让每个谎言在翻来覆去的日常对白里自动瓦解。
An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, including smoking, even though she is a minor. On Saturday, the professor does not feel like going to his weekend golf game, but his wife packs him off anyway. So he leaves his bag at the apartment of his student Okada, and goes to a bar with a friend. Setsuko traces him there, and insists that he take her to a geisha house. When she gets rather tipsy, the professor calls Okada to take her home, while he sleeps at Okada's. The wife becomes suspicious of Setsuko when she sees Okada bringing her home, and also of her husband when she discovers that he did not go golfing.相关搜索：
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