看完《米莉摆烂》，最戳我的不是她如何“摆烂”，而是她连摆烂都摆得那么累——每次瘫在沙发上刷手机，眼睛里却全是空洞。还有她妈唠叨她的戏份，又烦又好笑，好几处我都笑出声。导演米歇尔·萨维尔拍得特别“丧”但又不苦大仇深，节奏慢悠悠的，像周六午后赖床的感觉。安娜·斯科特尼几乎素颜出镜，她那种“连哭都懒得用力”的状态，让那种二十多岁被生活卡住的感觉变得特别真实。《米莉摆烂》却选了一条更冒险的路——它用近乎纪录片式的松散节奏，让观众像旁观一个真实的朋友那样，看着米莉在出租屋里发呆、和室友无意义拌嘴、在超市打工时走神。导演萨维尔刻意淡化戏剧冲突，用大量中近景跟拍米莉在便利店货架间游荡、在出租屋地板上发呆的日常。
Everyone bode her a rousing farewell on her way to New York – and yet, she remained in Wellington! With fantasy, charm and typical New Zealand humour, Millie finds it necessary to produce fake pictures of her supposedly wild life overseas and posts them for her friends on the World Wide Web. As a secret shadow to her own life, she learns a lot that she would rather not have known.相关搜索：
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