看《芳心封鎖》时，那种压抑感像潮水一样慢慢漫上来，让人心里堵得慌却又忍不住想看下去。如果你喜欢那种需要静下心来慢慢品味的文艺片，或者对青春期敏感细腻的心理状态感兴趣，这部片子会给你带来长久的余味。丈夫忙着打理音像店，以为她只是“闷得发慌”，直到一封来自陌生女子的信突然出现，像块小石头砸进平静生活：信里说“我认识你的妻子”，没署名，没地址，却让莉拉忽然醒了——她想起结婚前在海边小城的那个夏天，自己曾是个会为一首诗疯狂、敢跟陌生人私奔的姑娘，可如今她的笑都跟着咖啡勺搅拌的弧度走，连梦都裹着熨烫平整的窗帘味。 **展开说明：** 最打动我的是女主角在深夜偷偷抚摸母亲遗物时的那个长镜头，没有撕心裂肺的哭喊，只有指尖划过旧衣物的轻微颤抖，这种无声的悲伤比任何激烈的台词都更具穿透力。与年轻军人那场暧昧戏里，她没有露出惯常的脆弱，而是带着点 calculated 的玩味——仿佛在说，我随时可以起身离开。适合喜欢《一个男人和一个女人》式内敛叙事、或对中东女性处境感兴趣的观众，也推荐给那些相信好电影应该像生活本身一样含混的人。
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.相关搜索：
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