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如果你对那种色彩过饱和、配乐故意煽情的复古铅黄电影有点念想，《剪辑师》会精准戳到你。** 影片故意模仿70年代意大利恐怖片的胶片颗粒与廉价布景，连转场都用老式划像，叙事上则像一场被打碎的拼图——主角是一个在剪辑房精神错乱的电影剪辑师，现实与未完成的恐怖胶片不断交叠，分不清谁在剪辑谁。主角是位倒霉的电影剪辑师，妻子被杀后，他分不清监视器里的凶案和现实中的血腥，那种恍惚感会慢慢爬到你身上：明明知道是假的，但每次剪刀剪到胶片的声音都让人头皮发麻。如果你只想在沙发上乐呵几十分钟，这部片子比大多数新派恐怖片都更懂怎么拿血浆和烂梗逗你笑。剧情讲的是电影片场一连串谋杀案，剪辑师成了头号嫌犯，结果越查越荒诞。乌多·基尔顶着那张蜡像般的冷脸客串，贡献了最具压迫感的一场对视。

From members of Winnipeg’s infamous Astron-6 collective comes a loving homage and absurdist send-up of the Italian giallo genre. Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. (Tiff 2014)

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