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奥利弗·帕克在《妙女郎第二季》中延续了第一季的轻盈叙事，却把镜头推得更近——他用快速剪辑与一镜到底的喜剧场景，精准捕捉60年代英国电视行业的荒诞与活力。鲁伯特·艾弗雷特演的老派制片人，每次挑眉都带着阶级的刺，和汤姆·巴特曼饰演的“好人男友”形成微妙的对照。这一季她的事业和感情都在走钢丝，和男搭档之间那种“说不清是友情还是暧昧”的拉扯，像极了现实中很多人在职场里遇到的微妙关系。如果你偏爱英式喜剧里那种冷不防的冷幽默，或是热衷于观察人物在道德灰色地带如何应对选择，这一季不会让你失望。 **推荐理由**： 导演奥利弗·帕克用明快的复古色调和锯齿状的剪辑节奏，把60年代英国电视行业的幕后角力拍得像一场有趣的猫鼠游戏。适合下班后瘫沙发刷，或者喜欢看女性群像、英式幽默的朋友。

　　In series one, Barbara from Blackpool realised her dream and became TV comedy star, Sophie Straw, the nation’s favourite. In series two, Sophie finds out that ‘having a voice’ doesn’t mean it will be heard and that fame is a fickle friend.
　　Fed up with being the comic muse in old school comedy shows, Sophie tries her hand at arthouse cinema hoping it will be more progressive – it isn’t!
　　Undeterred, Sophie decides to create her own comedy show where she can tell authentic stories in all their messy and hilarious glory.  She’s found her voice, and no one can stop her using it! She learns that the power is in the word.
　　Funny Woman is produced by Potboiler and Rebel Park Productions, in association with Sky Studios. Executive produced by Nick Hornby, Gemma Arterton, Andrea Calderwood, Gail Egan, Jessica Parker and Jessica Malik.

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