比起同期的美版《波吉亚家族》那套“权欲+情色”的张扬路数，法国版更像一杯冷掉的苦艾酒——导演希施比格尔把镜头死死钉在梵蒂冈的烛光与长廊里，连暗杀都拍得如同宗教仪式般肃穆。约翰·道曼演的亚历山大六世不是脸谱化的恶棍，他会在深夜独自数金币，也会在儿子受伤时流露出真实的慌乱；伊索尔达·戴查克把卢克雷齐娅从天真少女到心机女人的转变，全靠眼神里的细微变化展现。如果你能接受历史剧的本质是“文献感”，而非肾上腺素，这片子会越嚼越有味道。家族内部充满猜忌与欲望，同时要应付美第奇家族、法国国王和教廷敌对派系的绞杀。
看着他们一边亲吻十字架一边给对手下毒，你会忍不住想，如果权力能彻底吞噬人性，那血缘又算什么？适合能忍受慢节奏、喜欢在压抑氛围里琢磨人性幽暗的观众——看完之后，你大概会对着自己身边那些看似和睦的关系，多一层恍惚。
❤。
It was the age of Da Vinci and Michelangelo, of enlightened creativity and unparalleled intellectual achievement. But it was also the age of Machievelli, of rampant lawlessness, incessant war and unspeakable depravity. At the heart of the world order was the Vatican, the arbiter of conflicts between kingdoms and empires. And at the center of the Vatican was a man whose quest for power would propel him to seek the ultimate prize, the holy see of Rome. He was a man whose name would become synonymous with ruthlessness, and whose reign as pope would be remembered as the most infamous chapter of the history of the Catholic church -Rodrigo Borgia. His four children -Juan, the oldest, a prideful, lazy, unscrupulous sexual predator, Cesare, a young man torn between a faith that was not his calling and his dark violent nature, Lucretia, a young girl discovering the secret power that a women's sexuality holds...
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