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故事是这样的：一个厌倦了平庸生活的中年银行家，在神秘朋友的引荐下，联系上一家名为“第二生命”的机构。如果只想看轻松爆米花，这片子会让你难受，但愿意琢磨的话，它会像根刺一样扎在脑子里。弗兰克海默这导演太敢拍了，整部片子黑白画面，镜头歪歪扭扭的，配上那种不安的配乐，看得人心里发毛。 影片以广角镜头和扭曲构图拍出令人窒息的中产牢笼，黑白摄影的粗粝颗粒感放大了主角的心理焦灼。叙事上采用双段式结构：前半段用细腻的心理铺陈描绘中年人的虚无，后半段则以快速剪接与跳切音效展现“重生”后的新式束缚，层层递进至不可逆转的绝望。黑白摄影里那些大特写几乎能让你感受到主角额头的冷汗——当他终于获得年轻英俊的新身体（罗克·赫德森演活了那份强装镇定下的空洞），却发现所谓的新生不过是另一个更大的牢笼。

　　Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy, Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant, a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. Written by garykmcd

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