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这部片子主打细腻的心理写实，叙事节奏舒缓却暗流涌动，充满了克制的张力。表演张弛有度，将两人在爱恨交织中试图抓住缘分却又无能为力的矛盾心理刻画得淋漓尽致。导演郑海龙用超现实般的镜头语言，把关于成长与离别的话题处理得非常细腻，既唯美又带着淡淡的哀伤。如果你也喜欢韩式的人性深度剖析，或者想看那种笑中带泪的故事，这部电影绝对值得二刷。推荐给所有喜欢文艺片，或者正处于迷茫、想找一点“清醒的痛感”的观众。故事从婚礼司仪的逆向视角切入，通过这一“多余”角色的冷静旁观，剥开了亲友间虚伪的客套与人性在金钱面前的算计。

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

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