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如果你正在犹豫要不要看，我可以告诉你：这部《知己知彼》是彼得兰杰利最锋利的社会讽刺小品——全片用几个看似独立的男女关系短篇，拼出一幅战后代际间的信任危机图谱。演员阵容堪称60年代意式喜剧的顶级配置，尼诺·曼弗雷迪的市侩、乌戈·托尼亚齐的装腔作势，连最小的配角都有鲜活的肢体语言，没有一句台词是浪费的。没什么惊天动地的情节，就是生活本身那种慢慢往心里坠的钝痛。适合那种喜欢慢火炖的老派剧情片的观众，尤其对意大利电影或群像戏感兴趣的——你要是能静下心来看人物怎么用表情和对话“过招”，这部片子会越看越有味道。你要是喜欢那种带点黑色幽默的老欧洲群像戏，或者想瞅瞅六十年代意大利人怎么拿人际关系开涮，这片子值得你找个周末窝沙发上看看。如果你也曾在一段关系里反复揣测对方的意图，或者有过“以为被看透，其实从未被真正理解”的失落，这部电影会像一根刺，轻轻扎进你最柔软的地方。

imdb　　Plot summary　　Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…

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